designer - artist - curator
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Silver Speaks Form Exhibition display case - Martin Keane sculptural sterling silver vessel with raising hammer
Silver Speaks Form Exhibition display case - Louise Loder textures notebook and samples
Silver Speaks Form Exhibition display case - Miriam Handid chased sterling silver vase (swirls of sea, clouds and birds) with chasing hammer
Silver Speaks Form Exhibition display case - Jenny Edge green enamel knot vase with sinusoidal stake
Silver Speaks Form Exhibition display case - Louise Loder serving scoop (Sterling silver and old tool head) with scraper silversmithing tool
Silver Speaks Form Exhibition display case - Photos of tools and manufacturing process with technical drawings, maquettes, samples and silversmithing tools
Silver Speaks Form Exhibition display case - silversmithing pieces using colour displayed with tools
Silver Speaks Form Exhibition display case- Constructed silversmithing pieces displayed with tools
Silver Speaks Form Exhibition wall vinyls showing images of silversmithing tools and information
Silver Speaks Form Exhibition wall vinyl - photos of silversmithing tools used to enrich (chasing hammer and tools, engravers, polishing mop)
Silver Speaks Form Exhibition wall vinyl - photos of silversmithing tools used to construct (plyers, dividers, files, piercing saw, cutters, height gauge)
Silver Speaks Form Exhibition wall vinyl - photos of silversmithing tools used to strike (stakes, hammers, anvil)
Silver Speaks Form Exhibition wall vinyl - photos showing processes to add colour in silversmithing (enamel colour chart, jars of enamel, bottles of oxydising solution, pestle and mortar

Silver Speaks Form Exhibition - Contemporary British Silversmiths

Silver Speaks was a yearlong programme of events by Contemporary British Silversmiths. The programme included an exhibition at the V&A, an auction at Bonhams as well as various demonstrations and talks. Form, was a key exhibition in this programme. My role was to design the space and presentation of the objects within the Goldsmiths’ Centre. Form celebrated the techniques behind the making of a piece of silver. Along with their finished pieces, exhibitors were asked to submit their favourite tool and explain what made it special to them. Displaying the tools next to the work, giving them equal importance, emphasised the relevance the tool had in the making process. Without these tools the silver pieces would not exist. It was only right that they should share centre stage. The strong black and white graphics around the exhibition isolated the tools, elevating their status, as well as putting them and their function into context.

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